| Our Sponsors Pro Audio Products |
| |
|
|
| | Recording.org PRO SHOP Categories |
| |
|
|
|
| | You are not subscriber of RECORDING. You can subscribe from here now! |
|
|
|
|
| We received 79155093 page views since March 15, 2004 |
|
|
|
|
| Recording Org Navigation Map |
|
| |
| |
Home |
| |
| |
Discussions |
| |
| |
Business Section |
| |
| |
Content |
| |
| |
Info |
| |
|
|
|
|
|
|
Your url ad could be here!
| Author |
Message |
hargerst
Respected Past Moderator

Joined: Dec 13, 2000
Posts: 396
Location: Sanger, Texas, USA
------------
Books To Read
Your Forum Posts
|
Posted:
Wed Feb 21, 2001 10:22 am |
  |
<B>Adjusting The Mic's Response Without EQ</B><P>Most microphones are not flat, and the mic's frequency response will change, depending on where the sound is coming from. Maximum highs will usually come from playing straight into the mic. This is very true for cardioids, and even for most omnis.<P>If it sounds like you have too much top end, don't reach for the board eq, just angle the mic slightly. A 15° or 30° angle can sometimes tame a peak nicely and it's more repeatable than board eq. Need more bass? Move in closer and take advantage of the mic's proximity effect. Too much bass? Try the bass roll-off switch.<P>Why not just use the board eq to correct it? Two reasons:<P>1. If it's a vocal track and you hafta change it later on (several days or weeks later), it's easier to match the previous sound if the board was set flat while recording.<P>2. Most board eqs are too broad to trim just the offensive tones and you wind up cutting stuff you may need later.<P>Get to know the characteristics of each mic in your locker. Sing or talk into the front of it, from an angle, from the side, even from behind. Listen to how the sound changes and file those mental notes somewhere near the front of your brain. <P><I>Hmmm, what could I use this sound for? Hmmm, singing across the mic got rid of a lot of shrillness. Maybe it would get rid of the shrill sound I'm getting when I try to mic those JBLs in my Twin Reverb? Hmmm, what if I put the mic parallel to the speaker grill, instead of aiming it into the speaker? Hmmm.</I> |
_________________ Harvey Gerst,
Engineer
ITRstudio.com |
|
    |
 |
Earl Musick
Recording Org Pro Audio Group

Joined: Feb 11, 2001
Posts: 21
Location: Fort Worth, TX
------------
Books To Read
Your Forum Posts
|
Posted:
Wed Feb 21, 2001 3:57 pm |
  |
Harvey, would you mind posting your acoustic guitar mic placement technique again.<BR>I'm sure alot of folks could use this information. I've used this technique before and it works great. Thanks Harvey. |
|
|
    |
 |
hargerst
Respected Past Moderator

Joined: Dec 13, 2000
Posts: 396
Location: Sanger, Texas, USA
------------
Books To Read
Your Forum Posts
|
Posted:
Wed Feb 21, 2001 5:11 pm |
  |
Yup, I'm gonna try and post a tip a day till I run out of ideas. That should be good for at least 3 days. Then I'll mkae up the rest as I go along. :p |
_________________ Harvey Gerst,
Engineer
ITRstudio.com |
|
    |
 |
arneholm
Recording Org Pro Audio Group

Joined: Feb 11, 2001
Posts: 73
Location: Tallinn, Estonia
------------
Books To Read
Your Forum Posts
|
Posted:
Thu Feb 22, 2001 12:55 am |
  |
<BLOCKQUOTE><font size="1" face="Verdana, Helvetica, sans-serif">quote:</font><HR>Originally posted by hargerst:<BR>Yup, I'm gonna try and post a tip a day till I run out of ideas. That should be good for at least 3 days. Then I'll mkae up the rest as I go along.  |
|
|
   |
 |
|
|
This topic sponsored by: Sound Performance Lab (Tube, Mastering, Analog Gear)
| |
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum
|
| | | | | | | Business Section (News, Articles Classifieds etc.) |
| |
|
|
|
|