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Julius Borges
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PostPosted: Wed Aug 06, 2003 9:03 pm Reply with quoteBack to top

hey there davedog and treena,
geoff emerick went on to say that "the fairchild couldn't take the bass signal, because the attack time was too fast". i know we all hold our tube gear quite dear, but wouldn't it be a hoot if the the compressor that gave us(played a major role, paul had a lot to do with it) one of the all time classic bass sounds was the lowly solid state altec ? 1591a.

come on, come on, come on, come on(sounds like a hook) somebodies gotta know! but take a good look at that picture that's not any 436/438 i've ever seen. then again i haven't seen them all.
jules
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RecorderMan
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PostPosted: Wed Aug 06, 2003 9:22 pm Reply with quoteBack to top

Quote:
Originally posted by Julius Borges:
[QB wouldn't it be a hoot if the the compressor that gave us(played a major role, paul had a lot to do with it) one of the all time classic bass sounds was the lowly solid state altec ? 1591a. [/QB]
Well along those lines comes this...I hung with Geoff through a mix and he was using an 1176 on the BASS.
want to know the settings? they were enlightening to me because he was using it(the 1176) very much the way that Bones Howe (Another '60's era Engineer/Producer) used the same device...with-out knowing of the other.
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bloodspoint
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PostPosted: Wed Aug 06, 2003 10:39 pm Reply with quoteBack to top

Hey Recorderman,

I definitely would like to know. I've seen some people do some weird things with 1176s.

Thanks,

Sean

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Treena Foster
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PostPosted: Wed Aug 06, 2003 10:52 pm Reply with quoteBack to top

:w: Gentlemen you might find this interesting.
RECORDING THE BEATLES

:h: Treena

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XHipHop
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PostPosted: Wed Aug 06, 2003 11:14 pm Reply with quoteBack to top

altec 1612a is a nice solid state compressor with a few knobs.

check recordingconsoles.net, click on the "outboard" section on top, click on altec on the side, and then take a look at some altec pictures. hopefully you can find a match.
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Treena Foster
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PostPosted: Wed Aug 06, 2003 11:34 pm Reply with quoteBack to top

Quote:
Originally posted by XHipHop:
altec 1612a is a nice solid state compressor with a few knobs.

check recordingconsoles.net, click on the "outboard" section on top, click on altec on the side, and then take a look at some altec pictures. hopefully you can find a match.
I did and I found this . :h: Treena

outboard <img src="http://www.4sync.com/rc/rc/altec1612A.jpg" alt=" - " />

<img src="http://www.4sync.com/rc/rc/Altec1592A-SS.jpg" alt=" - " />

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Julius Borges
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PostPosted: Thu Aug 07, 2003 4:46 am Reply with quoteBack to top

hello recorderman,

please tell us about geoff's 1176 settings. it would be a great insight.

thanks, jules
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Julius Borges
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PostPosted: Thu Aug 07, 2003 4:49 am Reply with quoteBack to top

treena,

thanks for the heads up on the upcoming beatles recording book! it looks like something more than just a few of us might buy.

jules
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RecorderMan
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PostPosted: Thu Aug 07, 2003 8:05 pm Reply with quoteBack to top

Quote:
Originally posted by Julius Borges:
hello recorderman,

please tell us about geoff's 1176 settings. it would be a great insight.

thanks, jules
Hey Julius.

What's cool (for me) about Geoff's and Bones Howe's approach to the 1176 peak limiter, is that they use it as such...a peak limiter. Alot of the time people use it as a compressor (4:1).
Geoff used it on bass.
attack=2 (medium slow; aka 9 o'clock)
release= 7 fast; aka 5 o'clock)
ratio=8:1
hitting it pretty good ; 6db gaoin reduction on average.

So this sounds pretty similar to what he was doing with the altec. If he had an 1176 in 67 I bet he would have used it. The slow attavk allows the top to stay in there and still be able to squeeze it really good.
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wwittman
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PostPosted: Thu Aug 07, 2003 10:54 pm Reply with quoteBack to top

I'm not sure that's true, as Geoff was very much a valve gear type (always felt the transistor mic pres didn't sound as good as the older EMI desks with valve pres).
And he was always a big 'Fairchild on the vocals' fan as well.

I still, personally, feel the Altec 436 is a much better sounding bass guitar limiter than an 1176.
And I agree slowish attack is the key.

I know AIR had (has?) a 436 and I'm willing to bet that's what he used at Abbey Road as well.

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RecorderMan
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PostPosted: Thu Aug 07, 2003 11:25 pm Reply with quoteBack to top

Well it's my conjecture based upon my observation of some mixes of is I attended. I've never used an altec on bass myself so I can't comment on that. But I'll have to look around now when I get a chance. :p:
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PostPosted: Fri Aug 08, 2003 12:42 am Reply with quoteBack to top

hummmmm...I personally know where theres a pristine 436...theres a whole rack of that era Altec...4 channel mixer...amp...monitor...436...power supply...5 grand no scratches...

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PostPosted: Fri Aug 08, 2003 5:43 am Reply with quoteBack to top

Quote:
Originally posted by Davedog:
hummmmm...I personally know where theres a pristine 436...theres a whole rack of that era Altec...4 channel mixer...amp...monitor...436...power supply...5 grand no scratches...
let me guess..a school? When I was in college our A/V department used that stuff.
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kryan73
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PostPosted: Sun Aug 10, 2003 1:27 pm Reply with quoteBack to top

Hi everyone - YES, this question will be conclusively answered in our book with (as my friend and writing partner Brian says) "enough detail to sicken anybody". It definitely IS a mysterious piece, but just sit tight and all will be answered...

thanks,
Kevin

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Julius Borges
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PostPosted: Sun Aug 10, 2003 2:34 pm Reply with quoteBack to top

com'on kev!!

throw us a bone, we're the ones that're gonna buy your book. don't be a tease!!!!!! give us this one little fact just to prove your books got the juice we're all looking for. we'll be your friends. it's nice having friends. it beats having people cheesed off at you.

be nice and tell us, PLEASE.
there i said PLEASE.
PLEASE, PLEASE, PLEASE, PLEASE, PLEASE. IT'S KILLIN ME, I JUST WANNA KNOW!!!!

regards, jules
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