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BrianAltenhofel
Recording Org
Pro Audio Group
Joined: Apr 08, 2005
Posts: 378
Location: Clinton, OK USA
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Books To Read
Your Forum Posts
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 Posted:
Mon May 02, 2005 5:19 pm |
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Yes, I am a NASCAR fan (and more specifically, Hendrick Motorsports, and even more specifically, Jeff Gordon).
Anyway, with live music you are trying to get maximum gain before feedback (not necessarily total clarity). In the studio, you are trying to get maximum clarity (and don't have to give a hoot about feedback). Condensor mics like the AT4033 are a LOT more sensitive than dynamic mics like the Beta87 and SM58 but cannot necessarily stand the SPL's or the rigors of touring. The studio is the tell-all place. Dynamic mics will usually not work well on vocals. However, that said, I find my cheap dynamic mics (under $15) actually work well for screams on harder music. Every mic has its place and 99% of the time the place for a condensor mic is the studio and the place for a dynamic mic is the stage. |
_________________
Brian Altenhofel
You spend your whole life trying to remove feedback, and then when you want it, it fights back! |
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