http://www.mojaveaudio.com  
Our Sponsors
Pro Audio Products

http://www.bteaudio.com

RECORDING ORG
PRO SHOP
Categories
· Accessories
· Compressors / Limiters / Gates
· Equalizers
· Micing Systems & Spitters
· Microphones
· Mixers/ Consols
· Modular Rack Systems
· Monitor
· Preamps
· Processors
· Recording Channels
· Summing Amps
Pro Shop
Random Audio Product

MS424
$1,100.00
Members Support
RO CLUB
You are not subscriber of . You can subscribe from here now!
Traffic Stats
We received
100245411
page views since March 15, 2004
Recording Org
Navigation Map
icon_home.gif HomeShow/Hide content
Access restricted to our members Feedback (contact us)
tree-L.gif Recommend Us
· Advertise Here
keyword ads
· Feeds
Forum InfoShow/Hide content
tree-T.gif Forum RULES
tree-T.gif Forum Search
tree-T.gif Your Account
tree-L.gif Lost Password
Business SectionShow/Hide content
tree-T.gif NewsNew content !
tree-T.gif Topics
Access restricted to our members Submit News
· AdvertisingShow/Hide content
· Advertising Contact UsShow/Hide content
tree-T.gif keyword ads
tree-L.gif Pro Audio
Linking System
Access restricted to our members Feedback (contact us)
Access restricted to our members News Search
· The Pro Shop
Gear 4 Sale
ContentShow/Hide content
Access restricted to our members Reviews & Features
tree-T.gif Stories Archive
Access restricted to our members Music_Business_Links
InfoShow/Hide content
fleche.gif Books
tree-T.gif FAQ
Access restricted to our members Feedback (contact us)
fleche.gif Glossary
tree-T.gif Recommend Us
tree-T.gif Statistics
Access restricted to our members News Search
tree-T.gif Surveys
tree-L.gif Your Account
Audio Survey
Do you earn money from music?
Yes
No
Results Polls Votes: 1349 Comments: 3
Mix News
·Nashville's Blackbird Studio Installs API 1608 Console
·SPARS to Partner with NAMM to Produce the SPARS Sessions
·Auto-Tune Named One of 'America's Hottest Brands'
·Brian Wilson Records George Gershwin at Ocean Way
·Songs To Your Eyes Announces Music Placements

read more...©
Remix News
·Denon DJ DN-S3700 Rebate
·IK Multimedia iPDJ Mobile Groove Event
·Brother Ali Us (Rhymesayers)
·Job Listing: Native Instruments Managing Director
·Akai MPK88 Now Shipping

read more...©
Google Translation
Translation
  Forum FAQ    Search    Profile    Log in to check your private messages    Log in


 
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic
Author Message
David French
Respected Past Moderator


Joined: Jun 19, 2002
Posts: 2852
Location: Indiana


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 9:01 am Reply with quoteBack to top

The following case study is an exaple of tangential modes playing a significant role in governing monitoring system respose. The study is based on ETF5 measurements that were performed by me at the listening position in my home studio. The room had no treatment and was completely empty except for two speakers, their stands, a computer desk, and a computer.

Room Description and Test Setup

The room is 159” x 118” x 96” (L x W x H). The walls and ceiling are plasterboard and the floor is hardwood. The two windows are blocked with ¾” HDF and sealed with rope caulk. There is a closet with a solid core door at the back of the room which was shut during the test. The solid core exit door was also shut. The center of the woofer cone center was 18” from the front wall, 35” from the left wall, and 39” from the floor. The microphone, a B&K 4007, was placed 60” from the front wall, 59” from the side walls, and 43” from the floor. The speaker faced the microphone. ETF was used in Long MLS mode with loopback.

Data

This first image is a plot which shows the modes for the room as calculated by the Rayleigh equation. This image is courtesy of Eric Desart.

Image

This next image, also courtesy of Eric Desart, shows data from ETF5 with the calculated modal frequencies on the same scale. The data was exported as text from ETF and imported into Eric’s software for convenient display. The gate time was set to 200 milliseconds and the Hanning window function was used. Resolution is 1.46 Hz.

Image

The final image is a waterfall plot of the same data.

Image

Analysis

Starting from the bottom up in the second image, The first feature is the 47 Hz measured resonance which is clearly the (1,0,0) mode, which is predicted at 43 Hz. The (0,1,0) mode is identifiable with a measured frequency of 58 Hz and a calculated frequency of 57 Hz. The (0,0,1) mode is also present with a measured value of 72, Hz and a predicted value of 70 Hz. The next resonance at 85 Hz (85 Hz predicted) could be blamed entirely on the (2,0,0) mode, but it looks a little wide to me on the low side which I believe suggests the help of the 82 Hz (1,0,1) tangential.

There is a measured peak at 111 Hz which is close to two modes: a 110 Hz tangential and a 115 Hz axial. I believe it is the tangential and not the axial that is responsible for this. Frist, the speaker is located very near a null for the (0,2,0) mode which would prevent it from being activated. Also, the resolution of the ETF data is 1.46 Hz, which would be enough to single out a 115 Hz resonance if it were there. It is unclear to me what is going on in the 115-130 Hz interval. Could the 124 Hz resonance be the effect of the 124 Hz (2,1,1) oblique? No idea. If anyone else wants to guess, please do.

I believe that the peak at 139 Hz is another combination mode, consisting of the 141 Hz (0,0,2) axial, the 134 Hz (0,2,1) tangential, and the 140 Hz (3,1,0) tangential. Additional analysis with the more frequency accurate rectangular window indeed showed the resonance breaking into two distinct resonances at 135 Hz and 142 Hz. The (0,1,2) tangential also makes an appearance at 152 Hz.

Perhaps the most conclusive element of this study is the measured resonance at 164 Hz. Thanks to my unfavorable room dimensions, the predicted 165 Hz (2,0,2) tangential is the only mode within 5 Hz of the measured peak. There is no other plausible explanation; this is a dominant tangential mode.

The next measured resonance at 172 Hz coincides with the (4,0,0) 170 Hz and (0,3,0) 172 Hz modes, along with the (3,2,0) 171 Hz tangential. Now we begin to move into the area where modal density increases and the idea of assigning blame to any one mode becomes more and more dubious. It is for this reason that I have omitted data above 200 Hz. Even though the modal density is growing, there are no axial modes between 172 Hz and 211 Hz, which means that any resonances found in this area are likely due to non-axial modes. There are two measured resonances in this area, at 180 Hz and 191 Hz, and both appear to be combinations of non-axial mode resonances.

Conclusions

This case study shows that tangential modes can be a dominant factor in determining the frequency response of a monitoring system in a small room.

Special thanks to Jeff Szymanski and Eric Desart for their guidance.


Last edited by David French on Fri May 06, 2005 3:23 pm; edited 3 times in total
View user's profileSend private messageSend e-mail
proudtower
Recording Org
Pro Audio Forums



Joined: Mar 14, 2005
Posts: 145
Location: achterhoek, netherlands


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 10:10 am Reply with quoteBack to top

Hey David,

Great post!

This is your listening room. Did you treat it?

No offence meant, but I find it quiet unbalanced.

That's why I ask about the acoustical treatment

In a room treated with all kinds of megachunks and that kind of stuff you would expect the mode to be more controlled, or am I talking rubbish? Very Happy

Regards,

Bert
View user's profileSend private message
David French
Respected Past Moderator


Joined: Jun 19, 2002
Posts: 2852
Location: Indiana


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 10:47 am Reply with quoteBack to top

You mean in all that talk I never mentioned the room was empty?!? Shocked Thank you Bert!
View user's profileSend private messageSend e-mail
jazzman_in_pa
Recording Org
Pro Audio Forums



Joined: May 12, 2003
Posts: 796
Location: Philadelphia


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 12:08 pm Reply with quoteBack to top

David, great stuff. Your attention to detail and organized presentation make for an efficient approach to actually learning something from the data.

Can you add more information about the exact wall construction:
How many layers of plasterboard per side?
How thick the plasterboard/s?
What is the stud spacing?
Wood or metal studs, and what size?
Single or double studs?
What's in the cavity?

The reason I ask is that I wonder to what extent floppier walls will shift the frequency response of the room, as Toole said in Getting the Bass Right. I'd think that if any of your wall panels were vibrating particularly strongly at certain frequencies, and if you knew what frequencies those were, that could alter the conclusions you arrive at.

I'm thinking out loud here about theory, but I'm trying to stay practical, prompted by Rod's and Brian's focus on the so-what of all these ruminations. They all boil down to two cases:
1) If we haven't built a room yet, how and how big should we build it?
2) If we have a room already, what more information do we need to gather to divine what to do now, so that we can successfully hear in it?

Lee

_________________
http://www.asyougo.net
View user's profileSend private messageVisit poster's website
proudtower
Recording Org
Pro Audio Forums



Joined: Mar 14, 2005
Posts: 145
Location: achterhoek, netherlands


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 12:09 pm Reply with quoteBack to top

Sorry, missed the first line.....
going to learn to read
Embarassed
View user's profileSend private message
David French
Respected Past Moderator


Joined: Jun 19, 2002
Posts: 2852
Location: Indiana


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 12:41 pm Reply with quoteBack to top

Lee,

I wish I knew about the wall construction, but I do not. I don't think I can find out either unless one of you constructions guys can make an inference based on the home's age. Perhaps if you ask some diagnostic quesitons we can figure it out.

Bert,

No! You pointed out my mistake! I edited the post to reflect the fact that the room was empty. Thank you!
View user's profileSend private messageSend e-mail
proudtower
Recording Org
Pro Audio Forums



Joined: Mar 14, 2005
Posts: 145
Location: achterhoek, netherlands


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 1:05 pm Reply with quoteBack to top

OK!
Going to give a link to the google pro group where a similar thread is going on, if you don't mind, although i'm clearly an idiot.
Maybe they can learn something from your great initiative.

Regards,

Bert
View user's profileSend private message
lovecow
Recording Org
Pro Audio Forums



Joined: Jul 10, 2003
Posts: 487
Location: Kansas


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 1:22 pm Reply with quoteBack to top

David,

I concur with others here: Nicely done.

One comment:
David French wrote:
The microphone, a B&K 4007, was placed 60” from the front wall, 48” from the side walls, and 43” from the floor.

We talked about this and I thought the mic was placed at 1/2 the width? Or not? We had debated a little about whether it was 48" from the side walls or 59". Clarify?

Other than that, thanks for including me in the study! Thumbs Up

_________________
---lovecow---

"You've got to be very careful if you don't know where you're going, because you might not get there." - Yogi Berra
View user's profileSend private message
David French
Respected Past Moderator


Joined: Jun 19, 2002
Posts: 2852
Location: Indiana


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 1:31 pm Reply with quoteBack to top

Bert,

Link at will. Provide a link to that discussion too, please.

Jeff,

Arrgh! I did it again! Thanks. Yes, the mic was halfway between the side walls. I will change it now.
View user's profileSend private messageSend e-mail
proudtower
Recording Org
Pro Audio Forums



Joined: Mar 14, 2005
Posts: 145
Location: achterhoek, netherlands


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 1:35 pm Reply with quoteBack to top

David:
Bert,

Link at will. Provide a link to that discussion too, please.

http://groups-beta.google.com/group/alt.sci.physics.acoustics/browse_thread/thread/7f4d1146fa7b3ebf/a98bce665d7a336b#a98bce665d7a336b
View user's profileSend private message
David French
Respected Past Moderator


Joined: Jun 19, 2002
Posts: 2852
Location: Indiana


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 1:43 pm Reply with quoteBack to top

Woah! That is a long link! Could you (or a mod) please edit your post using the url tags so that the page isn't so elongated. My graphics make it bad enough for people with low screen resolutions. Here's an example for the unlikely event that you don't know how to do this:

Code:


[url=http://biglonglink.com]discrete link title[/url]

View user's profileSend private messageSend e-mail
Ethan Winer
Respected Past Moderator


Joined: Mar 19, 2001
Posts: 3209
Location: New Milford, CT USA


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 2:27 pm Reply with quoteBack to top

David,

I agree with the others that you did a great job. We need more people here to do this too, because a rectangular room with good speakers and removeable treatment turns out to be rare.

I do have a few comments:

The lowest mode is off by almost 10 percent, so I'd be careful not to assume too much at the other frequencies. However, if non-rigid walls can be shown to account for the disparities, it is possible that the disparity becomes less the higher in frequency you look. Though so far nobody has explained the mechanism for this shift other than to blame "construction" generally.

> There is a measured peak at 111 Hz which is close to two modes: a 110 Hz tangential and a 115 Hz axial. I believe it is the tangential and not the axial that is responsible for this. <

I'm not so sure. If you look carefully at the ~110 Hz peak you'll see a hint of a peak on the left side. So I might conclude that the major peak is the 115 Hz axial and the smaller is the non-axial at 111 Hz.

> Perhaps the most conclusive element of this study is the measured resonance at 164 Hz ... There is no other plausible explanation; this is a dominant tangential mode. <

Maybe, or maybe this is just another case where the measured and predicted responses disagree by 20 percent. There are a lot of axial modes within 20 percent of 164 Hz! The main reason I doubt this resonance is non-axial is because it's the second largest peak in the graph. Then again, it could be more prominent simply due to boundary effects.

All in all, this is an excellent contribution to the topic at hand, and yet another piece of valuable - and apparently valid - data. Thanks very much for doing that.

> Special thanks to Jeff Szymanski and Eric Desart for their guidance. <

Hear hear! Thumbs Up

--Ethan

_________________
www.realtraps.com
The acoustic treatment experts
View user's profileSend private messageVisit poster's website
lovecow
Recording Org
Pro Audio Forums



Joined: Jul 10, 2003
Posts: 487
Location: Kansas


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 2:43 pm Reply with quoteBack to top

Hmm...

Both of you witnessed a large discrepancy between the predicted and measured lowest mode. The common thread between both your (David's and Ethan's) analyses was ETF. Perhaps this observed discrepancy is some unknown limitation of the software? (I do not not not mean to question, or otherwise imply anything about, the validity of ETF here. Just speculating on an apparently common theme...)

FWIW, I didn't use ETF in this analysis and got almost exact correlation between predicted and measured lowest mode (38.1 Hz and 38.4 Hz, respectively).

Food for thought. Remember, too, that we will undoubtedly generate 10^n questions for every n answers we think we have. Wink

_________________
---lovecow---

"You've got to be very careful if you don't know where you're going, because you might not get there." - Yogi Berra
View user's profileSend private message
David French
Respected Past Moderator


Joined: Jun 19, 2002
Posts: 2852
Location: Indiana


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 2:48 pm Reply with quoteBack to top

Glad you decided to chime in Ethan. I was hoping this would be more of a discussion than a congratulate David kind of thing.

Ethan Winer wrote:
The lowest mode is off by almost 10 percent


Like Jeff said, using percent is not a good idea. We alreay have good metrics; they're called Hertz. If you have something agains Herts, al least let's use something meaningful like cents. I'd rather just stick to Hertz. It seems that refering to percent is just a way to dramatize the difference

Ethan Winer wrote:
However, if non-rigid walls can be shown to account for the disparities, it is possible that the disparity becomes less the higher in frequency you look.


Definitely looks that way to me from both of our data. The measured modes correlate rather well in the rest of my data; the (1,0,0) is the farthest off and needs not set a precedent.

Ethan Winer wrote:
If you look carefully at the ~110 Hz peak you'll see a hint of a peak on the left side. So I might conclude that the major peak is the 115 Hz axial and the smaller is the non-axial at 111 Hz.


Seems unlikely to me since the correlation betweenthe measued resonance and the predicted tangential is so strong. Also, the next nearest more on the low side of 111 Hz is quite far away at 102 Hz.

Ethan Winer wrote:
or maybe this is just another case where the measured and predicted responses disagree by 20 percent.


Just because you may have found this one time does not a precedent make.
View user's profileSend private messageSend e-mail
David French
Respected Past Moderator


Joined: Jun 19, 2002
Posts: 2852
Location: Indiana


------------

Books To Read
Your Forum Posts

gimmie gear

PostPosted: Tue Mar 22, 2005 3:04 pm Reply with quoteBack to top

Almost forgot.

Ethan Winer wrote:
If you look carefully at the ~110 Hz peak you'll see a hint of a peak on the left side. So I might conclude that the major peak is the 115 Hz axial and the smaller is the non-axial at 111 Hz.


As I stated in the analysis, the speaker is located very near a null for the (0,2,0) 115 Hz mode, so it would not be active. How do your argument deal with this?
View user's profileSend private messageSend e-mail
Display posts from previous:      
Post new topicReply to topic
View previous topic Log in to check your private messages View next topic



This topic sponsored by:

  Full Compass
(Buy Sure Gear - Get Free Stuff)


  Lavry Black
(Extraordinary Stereo DA Converter)


  Sontronics
(Delta Phantom Powered Ribbon Mics)


  Sontronics
(STC-80 - Handheld Dynamic Mics)


  Sound Performance Lab
(Tube, Mastering, Analog Gear)


  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum



Powered by phpBB © 2001 phpBB Group

PHP-Nuke Port by Tom Nitzschner [Total Redesign By: Lorkan Themes] & 2004 www.toms-home.com
Announcements
News, Articles
· SPL releases the Vitalizer® Analog Code® Plug-in
· FXpansion Audio - Newsletter November 2009
· DubSpot’s Ableton Live 8 US Sessions Tour is coming to Los Angeles!
· Syntheway introduces Virtual Sitar VST Instrument software.
· SAE Institute Graduate Receives TEC Award
· FULL COMPASS SYSTEMS RECOGNIZES 25-YEAR EMPLOYEES
· SAE Atlanta and Euphonix present; Vincent di Pasquale and the
· SPL News - For free. No joke.

[ More in News Section ]
Current Topics!
Last 10 Forum Messages

New Conrad Echelon Amp
Last post by Sundhy in Musical Instruments on Nov 20, 2009 at 21:36:32

Amp Hookup
Last post by bent in Mixing Live Sound on Nov 20, 2009 at 21:02:05

Help with a Ramsa mixer
Last post by studio33 in Pro Audio Gear on Nov 20, 2009 at 19:32:05

Neil Young Official Release Series Vinyl
Last post by roknrobman in Pro Recording Forum on Nov 20, 2009 at 18:17:56

Neil Young Official Release Series Vinyl
Last post by roknrobman in Mastering Sound Forum on Nov 20, 2009 at 18:15:08

Instrumental Rock Mix: Any Suggestions???
Last post by dayn72283 in Song & Mix Collaboration on Nov 20, 2009 at 16:56:23

Live recording: group track bounce or aux send?
Last post by GentleG in Pro Recording Forum on Nov 20, 2009 at 12:53:02

Pro Tools 8 M-powered will monitor but won't record
Last post by hueseph in DAW Pro Audio on Nov 20, 2009 at 12:27:17

Correct Way Of Recording Vocals?
Last post by natural in Recording Vocals on Nov 20, 2009 at 11:44:37

Third Time's a Charm!
Last post by k-dub in Song & Mix Collaboration on Nov 20, 2009 at 11:43:07


[ ]
New Topics!

New Conrad Echelon Amp
Neil Young Official Release Series Vinyl
Neil Young Official Release Series Vinyl
Instrumental Rock Mix: Any Suggestions???
Amp Hookup
Third Time's a Charm!
Live recording: group track bounce or aux send?
Drum heads
how to make my hobby my career?
Correct Way Of Recording Vocals?
recording problem
Home studio in basement(Poland) - possible in so small room?
FS - Recording Studio in North West UK
Gibson Under Investigation
Alchemy - This is downright wicked!
Recording newbie HELP regarding interfaces questions
Basic newb questions, please give advice.
Are the feds coming after your ....
Who can hear the difference?

Forums

BookMark

 _MAKEBOOKMARK

Recording Org RSS Feeds Community News. or Pro Audio Forums

Read this if you are a new poster Rules, who needs em?

For more information on advertising, investing , merging or any other ideas you may have for this community" Feedback

Pro Audio forums, Pro Audio Dealer, audio reviews and all the moderating here is volunteer. Please remember no-one is being paid to be here or deliver hot coffee. Play Fair, be polite, patient and considerate to others. Title your topics properly and do not slander anyone, ever online.
Read this before your post here: Recording Org Disclaimer


This site can be translated into 13 languages. 錄音工作室幫助下,新聞和信息,數位專業音頻論壇, Opname studio helpen, nieuws en informatie, digitale pro audio forums, Studio d'enregistrement à l'aide de nouvelles et d'information, forums de l'audio numérique pro, Tonstudio helfen, Nachrichten und Informationen, digitale Pro-Audio-Foren, Estudio de grabación ayuda, información y noticias, foros de audio digital profesional. help, pro tools, cubase, nuendo, DAW, AD/DA, microphone, preamp, compressor, equalizer, Music Education, Arranging, Composing, collaboration des musiciens, professionelle Musiker und Ingenieure, colaboración de músicos profesionales y los ingenieros lo que pensamos acerca de una banda Our new beta site is now online for testing The New Recording.org CMS
For Incredible Quality Web Hosting Services


© 2000-2009 All Rights Reserved

PHP-Nuke Copyright © 2005 by Francisco Burzi. This is free software, and you may redistribute it under the GPL. PHP-Nuke comes with absolutely no warranty, for details, see the license.
Page Generation: 0.36 Seconds

.: fiSubBrown Shadow phpbb2 style by Lorkan Themes :.
.: Original Theme (FiSubSilver Shadow) by: Daz 2004 :.