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<channel>
<title>RECORDING - Forums</title>
<link>http://recording.org/modules.php?name=Forums</link>
<description>Recording</description>
<dc:language>en-us</dc:language>
<dc:creator>recording@recording.org</dc:creator>
<dc:date>2008-08-29T17:52:00-07:00</dc:date>

<sy:updatePeriod>hourly</sy:updatePeriod>
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<sy:updateBase>2008-08-29T17:52:00-07:00</sy:updateBase>

<item>
<title>Could recording.org offer more programs or services?</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342091#342091</link>
<description><![CDATA[I would love to see a review forum or section. If anyone knows where a good unbiased pro audio gear review website is let me know. Even if it was a retailer, if they did it like newegg does with computer supplies it would be great I.E. ratings and comments about individual products. 

A great section for reviews would have a post count limiting on posting a new review and a post count limiting commenting on it. That way you could weed out some of the spam. Say you would need 200 or 500 or what]]></description>
<guid isPermaLink="false">44632@http://recording.org</guid>
<dc:subject>Pro Sound Chat</dc:subject>
<dc:date>2008-08-29T15:59:58-07:00</dc:date>
<dc:creator>Posted by EricUndead</dc:creator></item>
<item>
<title>Monitor Mixes for a cappella groups</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342090#342090</link>
<description><![CDATA[

If you're mixing from stage, then I would say you'll almost have to use the house mix and everyone will have to try and blend, though this will be totally different than blending with out any reinforcement.

What do you mean by "blending without any reinforcement?]]></description>
<guid isPermaLink="false">48092@http://recording.org</guid>
<dc:subject>Mixing Live Sound</dc:subject>
<dc:date>2008-08-29T14:23:50-07:00</dc:date>
<dc:creator>Posted by chadmw7</dc:creator></item>
<item>
<title>Creating 24bit CDs, Masterlink, only option??</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342089#342089</link>
<description><![CDATA[
0 in the graph scale (no input voltage) = a full complement of 0's.
1 in the graph scale (maximum input voltage) = a full complement of 1's.
0.5 in the graph scale would be 000000010000000 in 16bit or 00000000000100000000000 in 24bit mode.
 :shock:

nice effort, but you are confusing some things.

The sign bit (if used) is the MSb or left most bit.  Integers in binary are stored as the 2's complement. To convert to a positive integer you invert everything and add one.  This is really be]]></description>
<guid isPermaLink="false">48044@http://recording.org</guid>
<dc:subject>Mastering Sound</dc:subject>
<dc:date>2008-08-29T14:00:45-07:00</dc:date>
<dc:creator>Posted by GeckoMusic</dc:creator></item>
<item>
<title>Voice Over Recommendations</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342087#342087</link>
<description><![CDATA[can you run a new known mic cable around the hall and go straight to the Mbox.

now do the same but use the external mic-pre

do use both left then right inputs

do you best to think one issue at a time

now the hail marry pass
can you move to another room
either or both 
mic room and computer room
get what I mean 
( I know that will probably show more about noise induced stuff rather than distortion issues)

but I fear you may have a faulty Mbox and without one handy to swap with]]></description>
<guid isPermaLink="false">48073@http://recording.org</guid>
<dc:subject>Pro Audio Gear</dc:subject>
<dc:date>2008-08-29T13:37:45-07:00</dc:date>
<dc:creator>Posted by Kev</dc:creator></item>
<item>
<title>Help with Mic, and set up</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342085#342085</link>
<description><![CDATA[Techno doesn't need lyrics. You need a vinyl deck and a way of speeding it up, then mixing it with the original track.

$30, I've seen single bank notes with greater value.
Greener's 2nd link gives you the most budget option you can probably get hold of. Then the adapters cost no more than $5 for the lot.]]></description>
<guid isPermaLink="false">48090@http://recording.org</guid>
<dc:subject>Home, Project Studio's</dc:subject>
<dc:date>2008-08-29T13:22:23-07:00</dc:date>
<dc:creator>Posted by Codemonkey</dc:creator></item>
<item>
<title>PRISTINE SONTEC DRC-202 COMP/LIM FOR SALE</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342084#342084</link>
<description><![CDATA[Hi,
I have alot of studio gear for sale as well as some nice mics and vintage gear. Sontec, Urei, Eventide, AKG, Sennheiser, Sony,
My direct email is=
mkbay@verizon.net]]></description>
<guid isPermaLink="false">48096@http://recording.org</guid>
<dc:subject>Used Studio Gear</dc:subject>
<dc:date>2008-08-29T13:18:38-07:00</dc:date>
<dc:creator>Posted by ledoraudio</dc:creator></item>
<item>
<title>One by Me</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342077#342077</link>
<description><![CDATA[I too like the 'sound', great job. Although I think the hat is way too loud and the vocals are pretty flat through out the song which is a bit aggravating.

Good song man, thumbs up.]]></description>
<guid isPermaLink="false">48088@http://recording.org</guid>
<dc:subject>Song & Mix Critique</dc:subject>
<dc:date>2008-08-29T12:20:54-07:00</dc:date>
<dc:creator>Posted by sshack</dc:creator></item>
<item>
<title>Best Vocal Mic for ~$1000</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342076#342076</link>
<description><![CDATA[Are you in a hurry?  If you know you want, like and need a $2000 or better mic, then save up a get one.]]></description>
<guid isPermaLink="false">48093@http://recording.org</guid>
<dc:subject>Pro Audio Gear</dc:subject>
<dc:date>2008-08-29T12:18:53-07:00</dc:date>
<dc:creator>Posted by AudioGaff</dc:creator></item>
<item>
<title>Neumann TLM103 or Rode K2?</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342075#342075</link>
<description><![CDATA[I have a TLM103 that I may sell as I don't really need it. It was part of a package purchase that I made not too long ago. Mint condition.

Hit me up if you're interested.]]></description>
<guid isPermaLink="false">47976@http://recording.org</guid>
<dc:subject>Pro Audio Gear</dc:subject>
<dc:date>2008-08-29T12:11:38-07:00</dc:date>
<dc:creator>Posted by sshack</dc:creator></item>
<item>
<title>FS: UAD-1e Card(s)</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342066#342066</link>
<description><![CDATA[Hi,

I have two UAD1e cards that I am selling for $300 each plus shipping. If interested please email me since I check my email more often than this site. My email is clking@creativesoundimages.com or I suppose you can post a reply and then that will email me that someone has posted. PM's (private messages) won't be as fast.

Just the standard plugs that come with the card(s) will come with it.

Need to liquidate some gear.]]></description>
<guid isPermaLink="false">48095@http://recording.org</guid>
<dc:subject>Used Studio Gear</dc:subject>
<dc:date>2008-08-29T09:17:31-07:00</dc:date>
<dc:creator>Posted by csi</dc:creator></item>
<item>
<title>Looking for good Portable Digital Recorder</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342065#342065</link>
<description><![CDATA[Hi,
I'm considering purchasing a portable recorder (digital stereo) and wondering if anyone has used one of the following two, what you think of it, and where I might find the best deal:
*Zoom H2 (or H4) (advertised $ H2 &#62; $200.00)
*OLYMPUS WS-331M (advertised $ &#62; $180.00)

My primary use is for on the spot recording for my guitar &#38; songwriting, but I may want to use it to record someone in a small concert setting, like a cafe or something. Add'l uses would be for interviewing.
]]></description>
<guid isPermaLink="false">48094@http://recording.org</guid>
<dc:subject>Budget Gear</dc:subject>
<dc:date>2008-08-29T09:10:11-07:00</dc:date>
<dc:creator>Posted by michaelas</dc:creator></item>
<item>
<title>annoying about neighbours' air-con engine noise</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342064#342064</link>
<description><![CDATA[From you have described, you have a triple leaf in the window.  This would have terrible sound isolation at it's MA... frequency.  More information on the window blocking and wall construction is needed to confirm.  The first thing would be to tear down the current window blocking and build it as two leafs.  Or remove two of the leaves and build the second one with 4 layers of gypsum.

Andre]]></description>
<guid isPermaLink="false">48091@http://recording.org</guid>
<dc:subject>Studio Construction</dc:subject>
<dc:date>2008-08-29T09:07:49-07:00</dc:date>
<dc:creator>Posted by avare</dc:creator></item>
<item>
<title>Blue Microphones &#34;Robbie&#34; Preamp</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342061#342061</link>
<description><![CDATA[I just got the Robbie in the mail yesterday, hooked it up in the chain, and man was I surprised by the results! I turned the Robbie up to over 3/4 gain, didn't even turn the Mbox 2 knob (kept it at 0), and recorded something without any plugins or EQ whatsoever. MAN WAS I SURPRISED!!! I'm not sure if keeping the gain knob at 0 on the Mbox bypassed the preamp, but I sure could tell a WORLD of difference in the sound! doing an A/B comparison revealed the Robbie to have a HUGE, RICH, FULL, WARM, VE]]></description>
<guid isPermaLink="false">48057@http://recording.org</guid>
<dc:subject>Pro Audio Gear</dc:subject>
<dc:date>2008-08-29T07:43:35-07:00</dc:date>
<dc:creator>Posted by musicfreak42</dc:creator></item>
<item>
<title>Soundbags, deadlines, and a video.</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342059#342059</link>
<description><![CDATA[Interesting.  Why wouldn't I want the paper down into the tracking room?  Just playing devil's advocate here, but wouldn't the paper down be more reflective coinciding with your argument not to have a dead room?

Don't shoot me!  Just trying to learn.

Thanks,]]></description>
<guid isPermaLink="false">48035@http://recording.org</guid>
<dc:subject>Studio Construction</dc:subject>
<dc:date>2008-08-29T07:06:43-07:00</dc:date>
<dc:creator>Posted by eyeveedrip</dc:creator></item>
<item>
<title>choosing a mic</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342056#342056</link>
<description><![CDATA[i've yet to hear something bad about the Shure SM7b... its what im going after

 8-)]]></description>
<guid isPermaLink="false">44518@http://recording.org</guid>
<dc:subject>Vocal Booth</dc:subject>
<dc:date>2008-08-29T06:05:33-07:00</dc:date>
<dc:creator>Posted by WindyCityMastering</dc:creator></item>
<item>
<title>Is it a MUST to use a compressor for vocal recording?</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342055#342055</link>
<description><![CDATA[Absolutely, but the compressor can do damage to a dynamic performance by a good singer. A good singer can play the mic like an instrument, because that's what it is. When a singer really knows how to hit the spatial sweet spot, and can properly control the dynamic input to the mic, I think it's better to leave it alone. Sure this doesn't apply much of the time, because those singers are increasingly a rarity. Most of the singers I record these days have no live experience whatever, in which case]]></description>
<guid isPermaLink="false">48030@http://recording.org</guid>
<dc:subject>Recording Studio</dc:subject>
<dc:date>2008-08-29T03:56:14-07:00</dc:date>
<dc:creator>Posted by hackenslash</dc:creator></item>
<item>
<title>tips for recording vocals?</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342053#342053</link>
<description><![CDATA[Only thing I didn't understand was shufty.

I'm getting some mixed definitions over here @ exit 4!

'Shufty' is Northern English vernacular for 'look', as in look at it, or give it an inspection.

Thick vocals are more apt to happen with SM 58's instead of somebody's condenser microphone.  It's a great sounding vocal microphone and great to record.

This message brought to buy....  SM 58's.  The ability to cause severe head trauma and still being able to record a guitar.
Ms. Remy Ann Da]]></description>
<guid isPermaLink="false">48067@http://recording.org</guid>
<dc:subject>Recording Studio</dc:subject>
<dc:date>2008-08-29T03:39:50-07:00</dc:date>
<dc:creator>Posted by hackenslash</dc:creator></item>
<item>
<title>Mix for master - Crtitque??</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342051#342051</link>
<description><![CDATA[oh yeah - sorry :-)

thanks again for all the comments gentlemen]]></description>
<guid isPermaLink="false">48084@http://recording.org</guid>
<dc:subject>Song & Mix Critique</dc:subject>
<dc:date>2008-08-29T01:38:04-07:00</dc:date>
<dc:creator>Posted by andy_witr</dc:creator></item>
<item>
<title>Movie making programme</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342049#342049</link>
<description><![CDATA[Ditto on the Vegas.  The more I use it, the more I use it.  Thankfully there really is nothing about the program I don't like.

What happens with Vegas.  Stays with Vegas.
Ms. Remy Ann David]]></description>
<guid isPermaLink="false">48065@http://recording.org</guid>
<dc:subject>Home, Project Studio's</dc:subject>
<dc:date>2008-08-29T01:27:21-07:00</dc:date>
<dc:creator>Posted by RemyRAD</dc:creator></item>
<item>
<title>Depth and height perception in the mix</title>
<link>http://recording.org/modules.php?name=Forums&amp;file=viewtopic&amp;p=342048#342048</link>
<description><![CDATA[I'm tellin' ya man... tweets. Try drawing an automation on a pink noise track to sweep a band pass filter (or an EQ with a bump and a narrow Q) from bottom to top. It will start at the woofer, then move up to the mid, then to the tweeter. Then try it on a cymbal crash or whatever... it works... but not on my monitors because the tweeters are on the sides. :)]]></description>
<guid isPermaLink="false">48043@http://recording.org</guid>
<dc:subject>Recording Studio</dc:subject>
<dc:date>2008-08-29T00:47:49-07:00</dc:date>
<dc:creator>Posted by BrianaW</dc:creator></item>
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